POR LOS CAMINOS DEL VIENTO. 2017. 114x146 cm

POR LOS CAMINOS DEL VIENTO. 2017. 114x146 cm

A ARTEMISIA GENTILESCHI, 2024. 130x100cm

A ARTEMISIA GENTILESCHI, 2024. 130x100cm

ORO EN EL AIRE LLEVA, 2022 . 150x150cm

ORO EN EL AIRE LLEVA, 2022 . 150x150cm

A FRIDA KAHLO, 2024. 100x100cm.

A FRIDA KAHLO, 2024. 100x100cm.

A SEMPERE, 2024. 100x100cm

A SEMPERE, 2024. 100x100cm

A VIEIRA DA SILVA, 2024. 100x100cm

A VIEIRA DA SILVA, 2024. 100x100cm

AHORA, 2024. 81x100cm

AHORA, 2024. 81x100cm

CAYENDO LA NOCHE, 2023. 146x97cm

CAYENDO LA NOCHE, 2023. 146x97cm

EL SOL DE OCTUBRE, 2022. 146x97cm.

EL SOL DE OCTUBRE, 2022. 146x97cm.

ENTRE LO SUCEDIDO Y POR SUCEDER , 2021. 146x97cm.

ENTRE LO SUCEDIDO Y POR SUCEDER , 2021. 146x97cm.

ESTOS RIOS PROFUNDOS ..., 2021. 100x100cm

ESTOS RIOS PROFUNDOS ..., 2021. 100x100cm

FLORECE EN LA OSCURIDAD, 2023. 100x100cm.

FLORECE EN LA OSCURIDAD, 2023. 100x100cm.

UN COMÚN AMANECER, 2023. 81x100cm.

UN COMÚN AMANECER, 2023. 81x100cm.

UN INSTANTE DESPUES, 2022. 97x146cm

UN INSTANTE DESPUES, 2022. 97x146cm

Águeda de la Pisa

 Spain, 1942.

Painter. Lives and works in Madrid. 

Studied drawing and painting at the academy of Eduardo Peña in Madrid. She also completed her training in model-making at the Escuela de Artes y Oficios and attended the drawing workshops of the Círculo de Bellas Artes in Madrid. In 1987 she was a member of the artistic group Ruedo Ibérico, created by the painter José Caballero. From 1986 onwards she incorporated collage and acrylic into her technique (instead of oil, which she had used until then). In 2006 she began to develop works based on photographs using digital techniques. 

Throughout her career she has received various awards and distinctions such as the Vázquez Díaz Painting Prize (1986), the Gold Medal at the Third International Cairo Biennial (1989), the National Printmaking Prize of the Museum of Contemporary Spanish Printmaking (2002) and the Castilla y León Prize for the Arts (2015).

Her work can be found in leading collections and museums such as the MNCARS, MUSAC, MuCAC Málaga, the Juan March Foundation, the Antonio Pérez Foundation in Cuenca, the Julius Baer Bank Collection in Geneva and the International Museum of Graphic Art in Cairo.


CV