Gina Arizpe, "Names and Coordinates, Michoacán (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Michoacán (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Ana Sacerdote. Italian-Argentinean artist, 1925-2019. "Linear theme", 1956. Pencil on paper. 21 x 15,5 cm

Ana Sacerdote. Italian-Argentinean artist, 1925-2019. "Linear theme", 1956. Pencil on paper. 21 x 15,5 cm

Marisol Escobar. "Erotic Drawing", 1963. Drawing. Colored wax on paper. 35,5 x 52,2 cm

Marisol Escobar. "Erotic Drawing", 1963. Drawing. Colored wax on paper. 35,5 x 52,2 cm

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Elvira Gascón. Exiled painter. 1911-2000. "Micos 26", 1979. Oil on canvas. 40 x 30 cm.

Elvira Gascón. Exiled painter. 1911-2000. "Micos 26", 1979. Oil on canvas. 40 x 30 cm.

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Yani Pecanins. "The Letter", 1999. Collage of objects, fabric, writings. 24 x 24 cm.

Yani Pecanins. "The Letter", 1999. Collage of objects, fabric, writings. 24 x 24 cm.

Yani Pecanins. "Untitled", 2009. Text on English porcelain plate. 11 cm diameter x 4 cm.

Yani Pecanins. "Untitled", 2009. Text on English porcelain plate. 11 cm diameter x 4 cm.

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Helen Escobedo. Mexican artist. 1934-2010. "Untitled", 1977. Drawing on paper. 74 x 54 cm.

Helen Escobedo. Mexican artist. 1934-2010. "Untitled", 1977. Drawing on paper. 74 x 54 cm.

Helen Escobedo. Mexican artist. 1934-2010 "Waves", 1971. Work on paper. 65 x 50 cm.

Helen Escobedo. Mexican artist. 1934-2010 "Waves", 1971. Work on paper. 65 x 50 cm.

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Marianne Gast, "Satellite Towers" (collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20,5 x 17 cm

Marianne Gast, "Satellite Towers" (collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20,5 x 17 cm

Marianne Gast, "Satellite Towers" (collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20 x 20cm

Marianne Gast, "Satellite Towers" (collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20 x 20cm

Marianne Gast, "Satellite Towers"(collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20,5 x 17 cm

Marianne Gast, "Satellite Towers"(collaboration Mathias Goeritz & Luis Barragán), 1958. Vintage photo. 20,5 x 17 cm

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Magdalena Jitrik. "Orquesta roja. 'Reunidos'", 2008. Collage. Pencil and ink on paper. 31,7 x 44,7 cm

Magdalena Jitrik. "Orquesta roja. 'Reunidos'", 2008. Collage. Pencil and ink on paper. 31,7 x 44,7 cm

Teresa Serrano. "Siempre el pasto del vecino es más verde", CDMX, 1997. Still from the video.

Teresa Serrano. "Siempre el pasto del vecino es más verde", CDMX, 1997. Still from the video.

Lucía Madriz. Costa Rican artist living in Germany. "Svalbard", 2018. Acrylic on canvas. 90 x 55 cm.

Lucía Madriz. Costa Rican artist living in Germany. "Svalbard", 2018. Acrylic on canvas. 90 x 55 cm.

Maria Maria Acha-Kutscher. "Niki de Saint Phalle", 2019. Digital print, pigmented inks on Hahnemühle paper.

Maria Maria Acha-Kutscher. "Niki de Saint Phalle", 2019. Digital print, pigmented inks on Hahnemühle paper.

Maria Maria Acha-Kutscher. "Shigeko Kubota", 2019. Digital print, pigmented inks on Hahnemühle paper.

Maria Maria Acha-Kutscher. "Shigeko Kubota", 2019. Digital print, pigmented inks on Hahnemühle paper.

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Glenda Zapata. "Oseodentis" from the series "Óseo Kalós Éidos Scopéo", 2020. Image: courtesy of Cabinet T.Margolles.

Glenda Zapata. "Oseodentis" from the series "Óseo Kalós Éidos Scopéo", 2020. Image: courtesy of Cabinet T.Margolles.

Glenda Zapata, "The great journey", 2015. HD video, 16:9. 9'43'. Cameras and editing: Robinson Hette. Ed. 1/3

Glenda Zapata, "The great journey", 2015. HD video, 16:9. 9'43'. Cameras and editing: Robinson Hette. Ed. 1/3

Ángela Bonadies, "HOTEL MEDIODÍA", 2019, Puzzle of 500 pieces, 45,7 x 61 cm. Edition 1/3 + AP

Ángela Bonadies, "HOTEL MEDIODÍA", 2019, Puzzle of 500 pieces, 45,7 x 61 cm. Edition 1/3 + AP

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

Gina Arizpe, "Names and Coordinates, Jalisco (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Jalisco (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Sonora (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Sonora (2016 – 2019)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Chiapas (2016 – 2020)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Chiapas (2016 – 2020)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Baja California Norte (2016 – 2020)", 2020. Ink on paper. 21,5 x 28 cm

Gina Arizpe, "Names and Coordinates, Baja California Norte (2016 – 2020)", 2020. Ink on paper. 21,5 x 28 cm

View of the exhibition "The personal is political, art made by Latin American women".

View of the exhibition "The personal is political, art made by Latin American women".

The personal is political, art made by Latin American women

Varios artistas | Various artists

from February 27, 2021 to April 17, 2021

This year marks the 50th anniversary of the publication of Linda Nochlin's essay, based on the question Why Have There Been No Great Women Artists?, which is also its title. Through this work, she slit Art History open, exposing a new field of research that aims to generate collective awareness about the role of women in art, from the place they occupy within art institutions, productions made by women, their work techniques and themes, to their representation as models.

It is evident that there has been a change in recent years and a revision of Art History is taking place, in many cases carried out by the artists themselves and even the artistic practice itself has joined the movement that this essay would detonate; how can we not see it this way, as political art and clear heir of the idea that The personal is political.

This movement has crossed the world and Latin American art has not remained oblivious to it, on the contrary, its implication is remarkable, as can be seen in the different works of the artists Helen Escobedo, Ana Sacerdote, Marisol Escobar, Magdalena Jitrik, Elvira Gascón, Marianne Gast, Yani Pecanins, Teresa SerranoGina Arizpe, María María Acha-Kutscher, Lucía Madriz, Ángela Bonadies and Glenda Zapata, which are included in this exhibition.

Ramón Mateos


Press release

3D tour of the exhibition